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Written
by William Elgin, posted by blog admin
Detroit
native Josh Birdsong followed the clarion call of modern music and moved to
Nashville, Tennessee, aka Music City USA, to further pursue his musical
ambitions and the results are formidable. His first release, an EP entitled
Simple Geometry, introduced modern listeners to
a singer/songwriter cut from a distinctly different cloth than what
audiences are perhaps accustomed to and his second EP Where the Light Bends
further ups the ante. The six song EP incorporates compelling electronically
driven guitar textures with an often poetic vulnerability seldom heard in the
music world today. He’s assisted by producer Stephen Leiweke in this endeavor
and the duo, along with other collaborators, are successful in assembling one
of 2017’s most involving releases. Where the Light Bends is a fantastic
listening experience from first song to last and shows a satisfying range of
sound and approach for a young songwriter who is clearly just getting started.
“Complex
Context” is one of the EP’s more intelligent numbers and sets an impressively
assertive tone once the song begins in earnest. There’s an assortment of guitar
sounds Birdsong harnesses to spectacular effect. Leading off with this song
proves to be an excellent move as the obvious physicality of the performance
involves listeners in the EP with minimal effort. Birdsong offers up his best
chorus on the EP with the second tune “The Sound Beneath the Static” and it’s,
likewise, one of the more fully developed tracks on Where the Light Bends while
paring back the cluttered but effective approach of the first number. The
second song, as well, arguably features Birdsong’s finest vocal on Where the
Light Bends. The songwriting takes a particularly satisfying turn with the
third track “Cloud 8” and the depth of vulnerability reflected in both his
vocal and lyric makes for another high point on the release. The steady pulse
of “Too Much to Hold” is reminiscent of the first song and Birdsong does an
exemplary job of coupling his sensitive vocal approach with a surprising
assertiveness and gravitas. It’s one of the best vocals on Where the Light
Bends and, despite its idiosyncratic sound, is quite an accessible song.
“Arctic
Desert” is the EP’s second to last song and one of the best examples of
Birdsong synthesizing his influences that you’ll hear on Where the Light Bends.
Birdsong’s guitar work is one of the defining musical elements on the EP and
this track highlights some of his best playing on Where the Light Bends. The
title track ends the release on an uplifting note musically while Birdsong
serves up possibly his most personal lyric on the release, yet it contains
enough of a well rounded approach that it never seems too obscure. This is one
of the year’s best releases, EP or full length album alike, and shows that
Birdsong’s growth is proceeding at an exponential rate. There’s still time for
newcomers to get in near the ground floor of Birdsong’s career because, from
this point forward, his work will only continue growing in scope and emotional
weight.
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